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Not “no”, just “not now” – Artists, you know

Not “no”, just “not now” – Artists, you know

Fourth in a series of blog posts by Apprentice Artistic Director Camilla Fitzgibbon as part of the Conseil des arts de Montréal’s DemART-Mtl program “A theatre. Then and now. Performing a play. Rehearsing a play. Preparing to perform a play. Preparing...
The play’s the legacy

The play’s the legacy

Third in a series of blog posts by Apprentice Artistic Director Camilla Fitzgibbon as part of the Conseil des arts de Montréal’s DemART-Mtl program We’re back at Playwrights’ Workshop Montréal before winter folds in on herself for another round of workshopping –...
Enjoying the patient uprising

Enjoying the patient uprising

Second in a series of blog posts by Apprentice Artistic Director Camilla Fitzgibbon as part of the Conseil des arts de Montréal’s DemART-Mtl program There is a raw, unprocessed quality to a theatrical creation in the works that is perhaps even more artistically...
The artist, the critic, the whole

The artist, the critic, the whole

The first in a series of blog posts by Apprentice Artistic Director Camilla Fitzgibbon as part of the Conseil des arts de Montréal’s DemART-Mtl program “You play a very public role in the theatre community, and yet few really know the human behind the critic,...
Hearing, finding, translating Kiyoko

Hearing, finding, translating Kiyoko

This post is the first in a series of articles by Julie Tamiko Manning about her process, her discoveries, and her struggles while writing Mizushōbai (The Water Trade) as part of Tableau D’Hôte Theatre’s More than a Footnote program I first came upon the...
Let us not wait for the historians

Let us not wait for the historians

Tableau D’Hôte Theatre is deeply honoured to have received the 2016-2017 Montreal English Theatre Award (META) Outstanding Professional Association of Canadian Theatre (PACT) Production for our coproduction of Lorena Gale’s Angélique with Black Theatre Workshop....